Download Film Iti Mrinalini (2011)

SINOPSIS-Iti Mrinalini is a 2010 Indian drama film directed by acclaimed Bengali filmmaker Aparna Sen. The director collaborates with debutant screenwriter Ranjan Ghosh to pen the story and the screenplay, a first for her. The film has been produced by Shrikant Mohta and Mahendra Soni of Shree Venkatesh Films Pvt Ltd. It is also the first film by Sen to be nationally released in Hindi simultaneously with the Bengali version for her Bengal audience. Many critics consider it to be her best work after Mr and Mrs Iyer, along with 36 Chowringhee Lane.
Aparna Sen returns to make a Bengali film after more than a decade. Her last was Paromitar Ek Din, in 2000. Iti Mrinalini is supposedly the director's first mainstream venture in which she experiments with the popular genre. The much-touted film is on the life and times of a Bengali star-actress of mainstream cinema of yesteryear, who looks back at her life. Aparna Sen plays the older Mrinalini while her daughter Konkona Sen Sharma portrays the younger version.
Sen directs her daughter Konkona Sen Sharma and also acts with her in the same film, another first for the mother-daughter duo that plays the same character. Featuring Sen and her daughter in the lead role, the film also stars Rajat Kapoor, Priyanshu Chatterjee, Koushik Sen, Locket Chatterjee and German actor Suzanne Bernert in supporting roles. The entire cast, except Konkona, work in an Aparna Sen film for the first time.
The film examines the randomness of life. Nothing is under our control and at times, we should just let go - just let it be what it will. The film explores different forms of love - one that happens in early youth, one that's more domestic, one that falls somewhere between friendship and love, and one resulting out of loneliness and seclusion.
Mrinalini, an ageing actress, writes a suicide note. As a performer, the first lesson she had learnt was timing – the perfect moment for making an entrance or an exit on stage. On the stage of life, her entrance had been outside her control; but she wants to choose the moment of her exit at least.
However, before taking the pills that will put her to sleep forever, she decides to destroy all her memorabilia – letters, photographs, newspaper cuttings, knick-knacks pertaining to the past – lest they fall into the hands of the press. She has been a victim of media attention all her life and wishes to be spared that at her death.
As she looks through the old box that contains relics from her past, memories flood the night... Incidents that she had forgotten or had relinquished to the furthest corners of her mind now return to haunt her and, through these memories, an entire life is revealed – a life of loves lost and gained, friendships and betrayals, successes and failures, accidents and awards, agonies and ecstasies.
Mrinalini relives her past, as night gradually turns to dawn. An azaan (Islamic call to prayer) starts up somewhere. Slowly early morning light fills the room. The moment has passed and the death she had wished for so intensely no longer seems a priority. Her German Shepherd comes and rubs its head on its mistress’s feet and squeaks to be let out. Mrinalini smiles, tears up the suicide note and takes her dog out for a walk.
A new day starts. A new life awaits her. A new beginning she has chosen.
Production (Pre-production)
For the first time, Sen teamed up with Shree Venkatesh Films Pvt Ltd, the makers of Chokher Bali and Raincoat. The pre-production of the film started in the second week of April 2009 with ideation. Scripting started by end April.
In a major first, Sen got attached to the curriculum of any film institute. The screenplay of Iti Mrinalini was an assignment in the Screenwriting syllabus at the Mumbai-based film school Whistling Woods International. It was the first instance in Indian Screenwriting that any screenplay emerging from any Indian film institute had actually been filmed.
In Aparna Sen's own admission at a Master Class on Cinema held on Fox History and Entertainment Channel, in the three decades of her film-making career that was the very first time that she collaborated with any film writer. Based on an original story idea given to him by Sen, debutant screenwriter Ranjan Ghosh, a screenwriting alumnus of Whistling Woods International, had written the story and the screenplay along with his director. Incidentally, with Iti Mrinalini, Ranjan Ghosh went on to become Aparna Sen's first and only co-author since she began her prolific directing career with 36 Chowringhee Lane in 1981.
The first draft of the screenplay of Iti Mrinalini was ready by end-July. The second and the third drafts were written successively by August and September. Cinematographer Shirsha Roy was supposed to shoot the film initially. However, date hassles kept him away. DOP Somak Mukherjee stepped in his shoes. Location scouting was carried out in Calcutta and Konark in the month of August.
Like in her earlier films, Sen went in for a grueling acting workshop for the cast. The Calcutta chapter was for three weeks when daughter Konkona Sen Sharma had flown down from Mumbai to attend the workshop. The Mumbai chapter was for another ten days thereafter with Rajat Kapoor and Priyanshu Chatterjee. The acting workshop was conducted by Sohag Sen.
Extensive and exhaustive pre-production meets were held regularly at Sen's place throughout the months of August and September. The production design of this film has been handled by Sen along with her directorial assistants. Sen entrusted her scriptwriter Ranjan Ghosh - who also doubled up as Assistant Director - with the unique task of creating Mrinalini's memory items. The entire memorabilia of the actress were thereby designed and created by Ghosh with some help from the art department. Her longtime junior colleague at the Bengali-language Women's magazine Sananda (magazine), Sabarni Das, designed the costumes for Sen's film. Das helped in the art direction and handled the costumes for the period film.
The production of the film started on 6 October 2009. Bengali writer Sunil Gangopadhyay is linked with Iti Mrinalini. One of his cult poems, Smritir Shohor has been turned into a song for the film. Incidentally, this is the first time any of Gangopadhyay's poems have been used as a song for any film. Music director Debajyoti Mishra has scored for Sen once again.
Iti Mrinalini is also the first film to be shot by Aparna Sen in record time. The film's unit faced an uphill task of completing the shoot covering 38 locations in just 33 days. The shoot covered areas around Calcutta like the Vidyasagar Setu, the Howrah Bridge, Baghbazar Ghat, College Street, Favourite Cabin, Calcutta Greens, Science City, Alipore Zoo, New Market, Priya Cinema, Ganga Kutir, Silver Spring apartment among a host of others. For the outdoor schedule, the unit went to Konark for a week in the latter half of October.
It was a return to history for the film unit. The sound of "lights, camera, action" returned to Calcutta Movieton studio at Tollygunge’s 28A Chandi Ghosh Road, which reopened after 25 years with Iti Mrinalini. The studio was once owned by yesteryear star Kanan Devi, who sold it to businessman Jagdish Bagri in 1985. "I had no intention to run a studio back then but now Tollywood is big," said Bagri. Iti Mrinalini producer Shree Venkatesh Films had taken two floors on hire for the film shoot.
Post-production
The first two cuts of the film were completed by end November 2009 and by mid December 2009 respectively. While the first cut went up to 140 minutes, the second cut's duration was 135 minutes. The final duration is 128 minutes, and was completed in January 2010.
Dubbing was held in Calcutta over two phases. In the first phase, lasting a week, in early December, all major and secondary characters completed their dubbing. The second phase lasted for three days whence Aparna Sen did her portion. The dubbing session in Mumbai began in the third week of January 2010 and continued till March 2010. Iti Mrinalini has been dubbed in Hindi as well. Sound design and the final mix-down was completed in the 'Maximum City' in September.
Release and reception
Iti Mrinalini opened to excellent reviews at its domestic premiere in the 'Indian Frame' section at the 12th MAMI International Film Festival 2010, held in Mumbai on 27 October 2010. It had its world premiere at the Cairo International Film Festival, on 30 November 2010.
The film opened the River to River. Florence Indian Film Festival on 3 December 2010, which was also its European premiere. The Gulf premiere was on 13 December 2010 at the Dubai International Film Festival. Reportedly both the scheduled shows went houseful at the Festival.
Iti Mrinalini was given a standing ovation at the 8th Edition of the Chennai International Film Festival on 23 December 2010, with very positive reviews. The film was screened on 12 January 2011 at the 9th Pune International Film Festival, in the Indian Cinema section.
The prestigious Slamdance Film Festival presented Iti Mrinalini at the 9th Annual Indian Film Festival of Los Angeles, on 14 April 2011. It also marked the USA premiere of the film. The film won considerable critical acclaim at the fest.
Iti Mrinalini was selected as the Centerpiece Film at the 11th Annual edition of the IAAC's popular film festival NYIFF which ran from 4 May to 8 May 2011, in Manhattan. The critics had favourable reviews for the film here as well. Silk Screen Asian American Film Festival, held from 6th - 15th May 2011 in Pittsburgh, Pennsylvania, screened Iti Mrinalini. The film was further selected at the 14th Shanghai International Film Festival held from 11th - 19th June 2011.
The film was slated for a commercial release in hometown Calcutta, along with a simultaneous national release in Hindi on 15 April 2011. It is now slated for a national release on 29 July, followed by a worldwide release on 31st July 2011.
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Informasi Film Iti Mrinalini (2011)
Director :  Aparna Sen
Rilis : 29 July 2011 (India)
Genre : Drama
Nah itulah tadi sedikit ulasan tentang Film Iti Mrinalini (2011).
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